Praise for Holy Wild:
“ninanâskomitin katawasisin kîya ôma âcimowinak: I am so grateful for your beautiful stories, Gwen! Her narrator, like the phoenix she breathes life into, rises into a fully emblazoned piyêsîs that etches out space—in both the whiteness of queerness and the very muds and waters that birth us—for 2SQ and trans Indigenous livelihoods and literatures. This is a heart wrenching, thought provoking, honest, and graceful walkthrough of trans realities both on the homeland and in urban settings. As Benaway notes, “creation opens around [language]” in Holy Wild and as she holds our hands through story, she “wash[es] away layers” from stones ruddy with sediment; and she too “broke open the world to let [us] step into it.” This book is a birthing of a body, in all of its varied meanings, which is always a promise “wild in [its] convergence[s].” ay-hay, nisâkihitowin awa.” —Joshua Whitehead, author of Full-Metal Indigiqueer and Johnny Appleseed
“Holy Wild! Holy Gwen! I think of this collection with an exclamation point! “[T]he only word for this is love.” And, this book is filled with love — stunning, beautiful, complicated love — love of language, love of bodies, love of love, the hard-won love of self, and more, so much more. As the poet says, “they want one thing and I am many.” This book is many things, and we are grateful.” —Katherena Vermette, author of the award-winning novel The Break
“In Holy Wild, Benaway sounds forth a chorus of pronouncements that look something like I am “x,” where “x” is at once unavailable to some and ever-proliferating: “this is what makes us holy / even if we are the only ones / who know it.” It is in this refusal of singularity that Benaway conjures trans life in a place that is both prior to and in excess of the violence that mires it. “[T]he first day of forever” is forever, is recursive, is softness, is an intimate life outside of the wrath of men who spoil the categories we install hope in, but, above all else, it is the emotional infrastructure for something like freedom. Let Benaway lead you there.” —Billy-Ray Belcourt, author of This Wound is a World
Gwen Benaway is of Anishinaabe and Métis descent. She has published two collections of poetry, Ceremonies for the Dead and Passage. A Two-Spirited Trans poet, she has been described as the spiritual love child of Tomson Highway and Anne Sexton. She has received many distinctions and awards, including the Dayne Ogilvie Honour of Distinction for Emerging Queer Authors from the Writers’ Trust of Canada. Her poetry and essays have been published in national publications and anthologies, including The Globe and Mail, Maclean’s Magazine, CBC Arts, and many others. She was born in Wingham, Ontario and currently resides in Toronto, Ontario.
1 September 2018 | Poetry
7.75×5.25 inches | 96 pages
Trade Paper: 9781771664394